The Hand & Flower

The development was thoughtfully designed to respond to the surrounding streetscape. The main facade of the new build tapers to the road for a sharp, defined appearance. Paul Murphy architects came to Taylor Maxwell with a clear vision to use long format bricks for a finish popular within modern London architecture. The light brick on the main facade ties with the colour of the cast stone from the joining pub in a contemporary and bold continuity, while the band course of cast stone, which runs under the recessed relief windows, aesthetically defines the different floors and acts as an updated Victorian feature.

The fully glazed entrance vestibule distinctly defines the transition from Victorian pub to modern residential. However, there are also key design details on the new build that mimic and modernise the style of the former Victorian pub.

The rear facade is faceted, and a classic yellow brick is used to continue the pattern of the stepped roof terraces while also maintaining daylight to neighbouring properties. The creation of a new third floor, allowed for a glass and zinc clad duplex penthouse.

Keen to get construction underway as soon as possible, the detail design was prioritised on both builds. After which, six separate planning applications went through anticipated changes before the construction went ahead. Taylor Maxwell was able to supply the architect’s specific vision for the facade through use of the slim, longer format bricks. Long format bricks provide a sleek and elegant finish, particularly suited for the location of the build in Chelsea, London.

With the focus to restore the pub to a modern glory, the basement ceilings were able to be raised slightly for improved headroom in the retail spaces, while all other rooms have a generous 2.7m ceiling height.

Paul Murphy Architects have designed stunning additional luxury living options to the busy Kings Road in Chelsea, London.